This should be considered a guide to get you within a year of the correct date. Hand Engraving. Thanks for any assistance you can provide. Example: U8034853 U = Unsung, 8 = 1998, 03 = March, 4853 = manufacturing number. ARCHIVED TOPIC: VINTAGE BANJO IDENTIFICATION. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. For example: The custom series of Epiphone Texans built with cooperation from Paul McCartney: some were built in Bozeman Montana and some in Japan. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. Lyon & Healy routinely used talon or patent 1897 The fingerboard of the L-5S is in with select abalone. The Advanced Jumbo has been described by some as the finest no compromises most powerful flat-top guitar Gibson ever designed and built. themselves through common hardware and design characteristics. Though it has gone through a number of refinements over the years, the basic design has not changed since. All Rights Reserved. The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. Materials and methods of production were reviewed and revised. Like all other companies, there are exceptions. When he passed, my grandmother bought it for me from his brother who was attempting to liquify his collection. Late 1930's Thicker Gibson Logo. They are available for binding that is .060 and .090 binding. Most information about Larson Brothers instruments comes from their catalog published around 1930. 2 foot pressed arm rest and flat head tone ring. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). Towards the end, the line actually continued to increase in sales. It's difficult to positively identify the manufacturer of these . G Edward Porgie - Posted - 06/16/2021: 14:40:30. In the early years, due to the depression and the following wartime austerity, demand for this expensive instrument was limited and production quantities were small. It was the heart of the depression and the instruments cost $60 without a case. Unfortunately, the information is confusing and inconsistent. It will be interesting of one of the BHO members has a vintage Kay catalog with that particular banjo. Gold War era logo - This type is called "Banner logo". I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. Generally harp guitars, L.H. (Numerical ID) Example: Serial number 0191456 = Harmony Standard Series guitar built in 2019. 10 Common Guitar Headstocks Shapes Explained (2023) - Guitar Lobby The sides and back were tinted mahogany with a sunburst red spruce top. It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic. Please note this is an archived topic, so it is locked and unable to be replied to. A New Leaf from Steven Moore - Bluegrass Today At the time, the Nick Lucas model was the largest flat-top Gibson offered. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. All listed sizes are for 12 fret to body models: These dimensions were similar for all Larson made instruments. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. See more ideas about banjo, guitar inlay, ukulele. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. It was the innovations of the Loar period: 1921 through 1925 that saw the introduction of the truss rod, adjustable bridges, bracing adjustments, thinning and grading of the tops and numerous other refinements to create the standards that are still used today. The Mark Series, though not a wild success in terms of overall sales, did sell reasonably well. It became the working mans choice and one of the most enduring instrument designs in history. These shoes are shown in an 1890s Washburn banjo catalog, on low end models with . What Does My Banjo's Serial Number Tell Me? - Deering Banjo Company Knob changes usually following other Gibson electrics. Timing is everything In 1969 the Gibson parent company: Chicago Musical Instruments (CMI) was acquired by the South American brewing conglomerate: E.C.L. Heads have different effects on different kinds of banjos. Kay company banjos were normally not that high-quality but this one is different. They were available in steel string or classical. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). Like everything else connected to instrument identification issues - there are many exceptions. They are maintained by Donna LoPrinzi in Clearwater Florida. Art Studios. Vega Banjos - Deering Banjo Company JM, jumbo size guitar with mahogany back & sides, chrome tuners. their better banjos is also distinctive, with a small additional bump on either Description: Internally constructed from dense EPS foam, the exterior of this Gator banjo case is covered in rugged 600-denier ballistic . It took Gibson 2 years to develop their response: The Jumbo of 1934. Intermediate Grade and Best Grade were generally X braced with laminated braces for added strength. The saddles were wider than usual. It shared many features with the L-5 archtop electric acoustic: The neck was basically an L-5 neck in scale, section and detail. It would have helped if the Larson brothers had sequential serial numbers but there is just enough contradictory evidence to prevent one from trusting numbers that appear to be sequential. The introduction of a truss rod cover to the headstock caused the inlay patterns to adjust as well. Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. Buckbee (1861-1897) banjos can frequently be identified by their During 1942 two new models were introduced to the Gibson line-up to replace the J-35 and J-55. There were 1424 made. The further down the headstock the peg is, the shorter it will be. Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). The best way to date Larrive instruments is by the instrument labels. Frets refers to the number of frets that are clear of the body. The electric version included a P-90 pickup at the end of the soundboard like the later versions of the J-160E. The narrower guitar sizes allowed for available materials. Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. In mid 1944 bookmatched two piece Sispruce tops reappear. 585 Grand Concert: rosewood back & sides, MOP, colored wood appointments and a Tree-of-Life fretboard inlay. Starting in 1923, models included: the Silver Bell, the Super Banjo and the Blue Bell. There was some amber color. This is the smallest model, chrome tuners. I would sure like to hear what it sounds like. Carl and August Larson built instruments between 1900 and 1944. The headstock had a black wood face veneer. By 1939 the 3 tone bar system was reduced to 2 tone bars and the angle of the X braces change to approximately 95 degrees. Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?) For a period of time, this was the top of the line. Pearl twin parallelogram inlays, Bridges: Rosewood belly-down. A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. tailpieces (see fourth row of pictures below) on many of their unmarked banjos, and their During the period of 1902 to approximately 1909 the mandolins sported tailpiece covers with a curly top and internal white labels with an image of Orville Gibson holding a lyre mandolin. mikehalloran - Posted-12/27/2013: 17:21:06. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). The top and back are lightly arched, producing the deepest measurement in the center of the guitars body. The current bridge height and neck angle was reached around 1910. Back & Sides: Mahogany but some released as Brazilian rosewood. Any dealer would want to find this as part of an estate sale and put it out to see what the market would bear - but none would have high hopes for its value. The ones up until 1924 had either at best a ball bearing tone ring -- spring loaded ball bearings with springs to keep the skin heads tight. These had black plastic laminate headstock overlays with Bacon engraved in blockletters and a small, metal plate engraved Bacon Folk Model. Introduced August 1942 and J-45s are still available today. Western movies were tremendously popular and the singing cowboy heroes needed instruments as big and bold as untamed West. Gibson Banjo Serial Number Factory Order Number Information - Banjo Philes Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. They were now able to get better materials. The bridge was a small rectangular block type with a through saddle. In 1941 the fretboard became Brazilian rosewood. Following many prototypes, shapes and bracing patterns, the Mark Series was launched in 1975. It is most common after 1923 when most Gibson model As had this shape. The early models had shallow neck sets that increased in angle around 1908. Nice playability, great tone, strong low end and good sustain all the way up the neck. See Martin Serial Numbers for a dating information. Buy Prewar Gibson Banjo Online - Banjos for Sale 1980 $1249 By late 1980, the Gibson deluxe tuners with Crank button, and Posi-Lok strap button were added. Gretsch was contracted to make banjos for them. Gibson style one piece flange, probably zinc, also Gibson style flange brackets, 4 resonator screws. Research our price guide with auction results on 40 items from $35 to $2,928. Design your own Huber Banjo. . It would surprise me if there were 12 of those made as K banjos, however. If you have additional information or corrections, please contact us. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. Body designation Style designation, Serial number. Banjo Identification No Name Models - Mugwumps 292 Old Banjo Stock Photos, Images & Pictures - Dreamstime Jun 24, 2020 - The Art of Banjo Headstocks. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. Manchester University, Instruction * ConcertsJams * More George Youngblood of Youngbloods Music Workshop. The J-160E was Gibsons second design for an electric flat-top guitar following the CF-100. You'll find Epiphone serial numbers in the standard places. Headstocks say LoPrinzi. 2: The Histories of Cool Guitars". Ironically, the script logo on the headstock was old-style. In 1987, after the Gretsch family had re-acquired their name, re-introduced the B&D Silver Bell but the market didnt seem to care. At the time, the Nick Lucas model was the largest flat-top Gibson offered. Several cost-cutting measures existed between the Advanced Jumbo and the J-35 including scalloped braces on the advanced Jumbo and not on the J-35. The soundhole had an additional thick white purfling ring. The tuners were individual Kluson with amber buttons. Some laminated maple necks with two walnut stripes down the center (5 piece neck), most with no truss rod (war time meallocations), Neck shape large and round (Baseball Bat) due to lack of truss rod, Poplar neck blocks. The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN Serial numbers are addressed elsewhere on the web site but can be found also on Gibsons website and George Gruhn & Walter Carters book: Gruhns Guide to Vintage Guitars. The neck heal had a white plastic cap. A total of 2,477 J-35s were made according to Gibson records. There were 1229 made. ECL changed its name shortly afterwards to: Norlin Inc. for ECL president Norton Stevens and CMI president Maurice Berlin. The Lyon & Healy peghead shape used on most of ARIA 921C. Naming the parts of a banjo. serial number impressed to verso, 60 cm long The top and back bindings were black plastic with red line highlights. 67 Banjo Headstock Designs ideas | banjo, guitar inlay, mandolin Also, the first batch of J-45s had more binding both on the body and soundhole. Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. The Mark Series guitars were particularly interesting among the Gibson flat tops made in the 1970s due to their unique bracing. The labels with an image of Orville Gibson are generally found on instruments with serial numbers below 10,000. Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. It was available with a Snakehead and had a shaped fingerboard extension. New Location: Silkscreen logos - Low end models. GB -- guitar banjo. The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. Ss. 562 Standard size with rosewood back & sides, MOP and colored wood appointments. Late 1960's Gibson Logo around 1969 with no dot over the "i". Schall hardware is pretty unique and the fifth 14" resonator on the banjo examined is probably non original (Korean). As for how I came to own the instrument, my grandmother's cousin was an instrument collector. Size 3 Gurian, either acoustic or amplified. After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. The early models had shallow neck sets and low bridges that increased in angle around 1908 with taller bridges. As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen. No serial numbers etc. Most old Hfners do not have serial numbers. Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. The guitar designs, however, were not the problem. That being said, and allowing for the large numbers of prototypes and other Gibson anomalies, the following can be used s a guide to help get close to a proper model identification and its year of production. This moved the X away from the soundhole a bit. Music Love. Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. I have never seen one like this in person or even a picture of one. A head on a long neck open back banjo might sound completely different on a 12-string banjo. Edited by - mikehalloran on 12/27/2013 17:30:00, Charles in SC - Posted-12/27/2013: 20:38:42. which do not feature a paper label. S2R, size 2 guitar with East Indian rosewood back & sides, chrome tuners. B-series Factory location: Grand Street, New York City from 1972 to 1973.
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